ECDISI
•Title: Ecdisi
•Author: Francesco Valli
•Pages: 74
•Publisher: @albatros
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✒️
The poet and it is right to underline that, Francesco Valli, takes us on an extraordinary journey through the pages of his poetic collection.
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A book of rhymes, reflections, memories and reminiscences that blend into finely edited texts, with a metric scheme studied in detail, commendable the use of rhetorical figures.
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An elevate language, without ever flowing into the opulent, that puts the reader in contact with the curiosity to deepen the knowledge of every single word. A high writing ability that denotes great mastery of the language.
✍🏻
I appreciated this collection of poems because it is absolutely unique in the modernist genre, a very refined, intriguing style that brings knowledge to the reader.
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A poetic that requires special attention and invites to reason, sometimes critical, other introspective and sentimental.The greatest ability of Francesco Valli is to make homogeneous elements that individually are not, a rare ability that Valli knows and master with great dexterity.We expect great works from this young poet.
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Irecommendthispoeticcollectionincolorsthatarelookingforadifferentapproachtoreading, lookingforreflectionandreasoning.Areadingthatcanbeappreciatedasagreatbreakforthosesufferingfromthereader’sblock!
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PS. Get yourself a good dictionary! It will be useful...
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❓ #quotd what does Ecdisi mean❓
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AUTHOR
Francesco Valli was born in Brescia in 1997 and lives in Castelcovati (BS). He graduated in Modern Literature from the University of Milan in 2019.
During the first year of the University he began writing poetry, participating in literary competitions and coming among the finalists of the competitions: "Il Club dei Poeti" organized by Montedit, "Il Tiburtino" (2018 and 2020), "Parole in Fuga" (2018), "Il Federiciano" (2017), "Poesie d'Amore" (2019) called by Aletti Editore. His most recurrent themes concern the relationship, often conflictual, between the complex and iridescent dimension of interiority and the social dimension of externality. The meter of the compositions is primarily free, although there are texts that present traditional metric schemes (hendecasyllables, octaves and septenaries) the choice of which is due to an intention of recovery and at the same time of experimental renewal of classical forms in a contemporary key.
(from: Albatros editore)
